paintings

Broader term: 
content
Website: "This Note explains the terminology used by conservators in condition reports for paintings. It will help museum personnel write and maintain accurate condition report records. For detailed information on examination and condition reporting, refer to CCI Notes 10/6 Condition Reporting — Paintings. Part I: Introduction and 10/7 Condition Reporting — Paintings. Part II: Examination Techniques and a Checklist. Technical terms used in other CCI Series 10 Notes are also defined in this glossary." Listed on one page. Terms are listed alphabetically; followed by their French translation; terms within a definition that are in bold letters can be found as entries in the glossary; “Other term(s)” provides synonyms for the term being defined; “See also” refers to one or many related terms; “See” refers to the term under which the concept is defined; a French–English index, in alphabetical order of French terms, is provided at the end

DOHERTY, T., & WOOLLETT, A. T. (2009). Looking at paintings: a guide to technical terms. Los Angeles, J. Paul Getty Museum. Presents concise and readable glossary of the technical terms most often countered by museum-goers. This new edition pays special attention to the processes and methods of paintings conservation; it also offers definitions and examples of materials and techniques--such as color field and collage--that did not appear in the earlier volume. With illustrations, all in color, that have been specially chosen from the masterpieces in the J. Paul Getty Museum and other collections, this book will be invaluable to all those wishing to increase their understanding and enjoyment of the art of painting. Foreword: " This guide is intended as a guide for the museum visitor who wishes to know more about the materials and techniques of the paintings, as well as the rerminology used to describe their visual effects". Alphabetical entries. No references in scope notes. Index of entries at end. Paintings. Preface to the revised edition: " This new edition reflects the impact of trends in the field of art history and in painitng conservation in recent years. Terms from the practice of conservation have come to infomr the discussion and interpretation of paintings in exhibitions and in didactic materials within museums today. A substantial number of terms related to condition and process, both historical and scientific, have been added to the original text."

One page, list of terms arranged alphabetically. Brief scope notes