Tuesday 9 February 2016
The Red Room
Chelsea College of Arts
16 John Islip St
London SW1P 4JU
The Ligatus Research Centre is delighted to announce a public lecture by Professor Petros Koufopoulos on the history and development of the Parthenon Restoration Project.
Professor Koufopoulos spent 10 years working on the conservation and restoration of the famous UNESCO World Heritage Site at the Acropolis in Athens, Greece. He will speak about his experiences and the challenges and achievements of this ambitious project.
Professor Koufopoulos is a world-leading expert in architectural conservation and restoration who has worked on a wide range of projects in Greece, Cyprus and Sinai. Since 2009 he has been Associate Professor of Architectural Design and the Conservation of Historic Buildings and Sites at the University of Patras. He is the author of numerous publications and a regular speaker at international conferences.
The talk is open to all and will be followed by drinks and refreshments.
Tickets: £5 (Standard) | £3 (Students).
We expect this to be a very popular event so book your place quickly to avoid disappointment!
To book, please visit:
Tuesday 9 February 2016
I spent a few hours today reviving the St. Catherine's boxing project and especially the Java code that has been dormant since this publication and while waiting for the library renovation to be completed.
Petros Koufopoulos, Stuart Welch, Andrew Honey, Nicholas Pickwoad and myself have had a few meetings over the past few months trying to finalise the exact dimensions of boxes in relation to the dimensions of books and also the exact dimensions of the cupboards in the main library.
We are now reasonably confident that these dimensions are optimised and therefore I started looking at the data from the St. Catherine's database to extract the book dimensions. This was straight-forward. I then fired up my NetBeans "booksorter" project and without much trouble a solution for sorting and stacking the boxes was ready. I did notice some strange looking books in the resulting chart, so I started looking more careful at the measurements.
These measurements were first noted on paper which was then digitised. We had two points of human error:
- when a measurement was written down on the paper
- when a measurement was typed into the computer
Some measurements were missing a digit or had a zero added to them resulting in strange book dimensions. These were easily spotted as soon as I sorted by height, width and depth. Having digitised all the survey forms, it was easy for me to go back and double-check.
Years ago a cedar tree was being felled and we received a request on the likely dimensions for book boards so that the tree was cut in the right-size pieces. I remembered that the aspect ratio of the boards at that time had little variation and I thought I will check this with the book height and width data as well.
I quickly produced a chart of ratios of height/width on a spreadsheet and I plotted a chart (Figure 1). Sure enough the aspect ratio was relatively similar (between 1 and 1.6), but I could spot suspicious outliers. It would have been extremely difficult to identify these by looking at measurements. I got the shelfmarks of the books, checked these dimensions and indeed they were wrong. In one case the height had been swapped with the width. In another a figure was missing. After correcting the outliers the new chart (Figure 2) looked a lot more reassuring. The border points in the new chart have been checked and they are indeed strange shaped books.
Can we be sure that no other errors have been made? Of course not, but at least we have eliminated the most substantial ones. Watch this space for more updates on the boxing project.
On the 1st of December Sebastian and Moritz from Semiodesk visited Chelsea College of Arts for a day long project meeting about Artivity. This was to conclude phase 2 and prepare for the proposals for phase 3.
We began the day talking about sustainability, based on a text that Sebastian and Moritz had started. This was improved and enhanced following various reports and guidelines provided on the Software Sustainability Institute website. Daniela Duca from JISC joined us in that discussion with some very useful comments.
We then met with people from the UAL IT department and specifically from the team which is responsible for the deployment of applications to the managed machines in the university. We discussed possibilities in relation to Artivity and received very useful feedback.
We had a meeting with our administrators' team about the proposed budgeting for phase 3 and talked further about the pitches for the forthcoming sandpit.
Busy Artivity days!
Having completed nearly all of the testing sessions for the second phase of Artivity I have began publishing the resulting data in figshare. The first batch is already up from the artist Gino Ballantyne, but I will be getting the second machine with the rest of the data over the weekend so I will be publishing more. For reference this data is here:
Gino's contribution was produced from the 3rd of November to the 6th while Gino was visiting Chelsea College and was spending time with the MA students in the studios. Some of his outputs can be seen here.
I have been meaning to write a blog post about the artists who are testing Artivity tools and producing some data for us and today I managed to get some time to do it. The two Artivity laptops have been setup and have been travelling up and down the country. We have been lucky to have contributions from a number of artists:
Most of them have already worked on their projects and their contributions will soon appear in the repository. Others are scheduled to received the computers in a few days. I will try to post separate items for each artist's contribution. For the time-being I am posting here the screenshots from their websites for you to get a flavour of the kind of work they do.
A few more artists have also expressed interest but their have been more interested in Adobe software so they are standing by for testing when we are able to support Photoshop and Illustrator. They are:
The past few weeks have been extremely busy and I had hardly any time to update the Artivity blog. This is what we have been doing:
- Sebastian and Moritz have now ported the whole Artivity deamon and Explorer to mono making it potentially cross-platform for Linux, Windows and MacOSX. Although the plugins for Inkscape and Krita have not been ported yet, the expectation is that small tweeks will be needed for the different versions of Inkscape and Krita. Switching to mono now means that in Phase 3 we can start working on supporting Adobe software.
- Sebastian and Moritz have also delivered a version of the Krita plugin which is now available in the Ubuntu repository.
- We have been working hard and consulting with Graham Klyne about storing Artivity data as PROV RDF. We think we have mapped the Artivity data model successfully. We are editing a document which describes the mapping and this will soon be available on the Bitbucket repository under deliverables.
- I have been contacting the artists who have been willing to work with Artivity and provide outputs and data. I now have a good schedule over the next few weeks with the two Artivity laptops being couriered around the country. So I am looking forward to receiving some data and try to build some narratives.
Since the inception of this project the idea of capturing contextual research data started after looking at the idea of the semantic desktop. The main implementation of the semantic desktop was through the respective KDE and GNOME communities and particularly the Zeitgeist framework which was a core component allowing applications to interact with semantic desktop data. So Zeitgeist has been in the heart of this project from the beginning.
During recent discussion with the guys from Semiodesk we have come to the decision that although the idea of the semantic desktop is still very much the driving force behind the project, Zeitgeist is no longer the right choice for us. These are some reasons:
- Zeitgeist is very much a GNU/Linux piece of software with certain dependencies such as DBus which are difficult to implement when porting to other platforms. This became an issue when we starting considering scaling Artivity up to support MacOSX which is an inevitable choice for artists and designers.
- Zeitgeist runs well on GNOME and especially Debian-based distributions. But the software has not had a major release since 2011. The members of the Zeitgeist community have moved on to other projects and making changes to the software is not easy.
- The Zeitgeist data model is somewhat limiting for the kind of tracking we are undertaking. It is designed to track events on the desktop but it does not really allow storing structured data from each application. This became an issue when we started considering how to export Artivity data and we considered the Artivity data model more carefully.
We wouldn't have decided to abandon Zeitgeist if a better option was not available. We were looking for open source software which would not limit us if we wanted to adopt different data models for the various Artivity applications, which would be cross-platform for at least GNU/Linux, MacOSX and MS Windows and which would rely on popular open source software with a much stronger presence than Zeitgeist.
As it happens, and this is the reason Semiodesk become a partner in the first place, Trinity is an open source platform that ticks all the boxes:
- It is based on Mono so it can run on the three major platforms.
- It adopts an RDF store as a backend database which means that any data model that can be expressed in RDF can be used to contribute to Artivity's tracking.
- It relies on openlink virtuoso for storage which is an extremely popular RDF store.
Artivity's current tools have already been ported to MacOSX and MS Windows using Trinity and we are in the process of finalising the Artivity new data model and its mapping to two main ontologies. We will keep you updated on our progress here.
I have been looking recently at the issue of sharing Artivity data. I did a short bibliographical review (attached at the bottom of the post) and it confirms that the idea of the semantic desktop was particularly popular around the middle of the 00's but it never really took off although the open source community embraced it (especially KDE and GNOME projects).
Some interesting projects came up in the review:
and of course
It is sad that NEPOMUK is losing its momentum with the open source communities but the idea of the semantic desktop is very much alive, only it seems it will be implemented at the application level with increasingly better adoption of semantic standards.
The question at this stage for Artivity is which would be a reasonable path for sharing data. We are currently looking at three possible candidates which model interactions of Agents (including both users and software) with Resources through Activities:
- Activity Streams which is a W3C recommendation with wide industry adoption but focusing on social media,
- CIDOC-CRM which is an ISO standard more focused on resources as physical objects and
- PROV which is again a W3C recommendation focusing on the provenance metadata of resources with more interest in digital resources.
- Abela, C., Staff, C. and Handschuh, S. (no date) ‘Collecting and Analysing Personal Information Management Data.’ Available at: http://ceur-ws.org/Vol-1377/paper3.pdf (Accessed: 28 August 2015).
- An Introduction to Topic Maps (no date). Available at: https://msdn.microsoft.com/en-us/library/aa480048.aspx (Accessed: 1 September 2015).
- Baldauf, M., Dustdar, S. and Rosenberg, F. (2007) ‘A Survey on Context-Aware Systems’, Int. J. Ad Hoc Ubiquitous Comput., 2(4), pp. 263–277. doi: 10.1504/IJAHUC.2007.014070.
- Bardram, J. E., Jeuris, S. and Houben, S. (2015) ‘Activity-Based Computing: Computational Management of Activities Reflecting Human Intention.’, AI Magazine, 36(2). Available at: http://search.ebscohost.com/login.aspx?direct=true&profile=ehost&scope=s... (Accessed: 28 August 2015).
- Cheyer, A., Park, J. and Giuli, R. (2005) ‘IRIS: Integrate. Relate. Infer. Share.’, in. 1st Workshop on The Semantic Desktop. 4th International Semantic Web Conference, p. 15. Available at: http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.84.3070&rep=rep... (Accessed: 1 September 2015).
- Chirita, P. A., Gavriloaie, R., Ghita, S., Nejdl, W. and Paiu, R. (2005) ‘Activity based metadata for semantic desktop search’, in The Semantic Web: Research and Applications. Springer, pp. 439–454. Available at: http://link.springer.com/chapter/10.1007/11431053_30 (Accessed: 28 August 2015).
- Cozzi, A., Farrell, S., Lau, T., Smith, B. A., Drews, C., Lin, J., Stachel, B. and Moran, T. P. (2006) ‘Activity management as a web service’, IBM Systems Journal, 45(4), pp. 695–712.
- Decker, S. and Frank, M. (2004) ‘The social semantic desktop’, in WWW2004 Workshop Application Design, Development and Implementation Issues in the Semantic Web, p. 10. Available at: http://sws.deri.ie/fileadmin/documents/DERI-TR-2004-05-02.pdf (Accessed: 28 August 2015).
- Dix, A., Catarci, T., Habegger, B., Kamaruddin, A., Katifori, A., Lepouras, G., Poggi, A., Ramduny-Ellis, D. and others (2006) ‘Intelligent context-sensitive interactions on desktop and the web’, in Proceedings of the international workshop in conjunction with AVI 2006 on Context in advanced interfaces. ACM, pp. 23–27. Available at: http://dl.acm.org/citation.cfm?id=1145710 (Accessed: 28 August 2015).
- Franz, T. and Staab, S. (2005) ‘SAM: Semantics Aware Instant Messaging for the Networked Semantic Desktop.’, in Semantic Desktop Workshop. Citeseer. Available at: http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.90.7988&rep=rep... (Accessed: 28 August 2015).
- Garrelfs, I. (2015) From inputs to outputs: an investigation of process in sound art practice. PhD Thesis. University of the Arts London.
- Gaugaz, J., Costache, S., Chirita, P.-A., Firan, C. S. and Nejdl, W. (2008) ‘Activity based links as a ranking factor in semantic desktop search’, in Web Conference, 2008. LA-WEB’08., Latin American. IEEE, pp. 49–57. Available at: http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4756161 (Accessed: 28 August 2015).
- Groza, T., H, S., Möller, K., Minack, E., Jazayeri, M., Mesnage, C., Reif, G. and Gudjónsdóttir, R. (2007) ‘The NEPOMUK project - on the way to the social semantic desktop’, in In Proceedings of I-Semantics’ 07, JUCS, pp. 201–211.
- Hu, Y. and Janowicz, K. (2012) ‘Improving personal information management by integrating activities in the physical world with the semantic desktop’, in Proceedings of the 20th International Conference on Advances in Geographic Information Systems. ACM, pp. 578–581. Available at: http://dl.acm.org/citation.cfm?id=2424420 (Accessed: 28 August 2015).
- ‘ISO 21127:2014 Information and documentation -- A reference ontology for the interchange of cultural heritage information’ (2014). ISO.
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What is Artivity?
Artivity is a set of software applications which capture contextual data produced during the creative process of artists and designers while working on a computer. The captured data can be used as evidence about the creative process of artists and it can also be used as a way to document technique. Artivity software can also be used as part of a self-archiving tool for artists who wish to document their practice.
What is this call?
Artivity wishes to commission work by artists and designers to test which aspects of the creative process is captured by the software. We currently support work on vector and raster images only (support for other types of creative software is planned). The work will have to be undertaken primarily on a computer around October 2015. The original artwork will remain the property of the artist.
Why new work is needed?
We are currently testing the types and usefulness of the contextual data recorded by Artivity. We need external artists to undertake research and provide this data in relation to a finished artwork to allow us to examine datasets we are not familiar with and find out whether we can make reasonable conclusions about the artistic process from the contextual data.
Commission fees will be discussed individually with each artist/designer.
If you are interested in contributing please contact Athanasios Velios (email@example.com).
Artivity is funded by JISC and it is a collaboration between the University of the Arts London and Semiodesk.
Ligatus, a research centre of the University of the Arts London, in collaboration with Oxford University are inviting applications for a PhD research project in the subject of machine learning in bookbinding history.
Ligatus is the leading centre in the study of bookbinding history with a strong interest in documentation methods. Recent projects include a survey of 4,000 books (including photographs) from the medieval library of the Monastery of St. Catherine in Sinai, Egypt and a thesaurus of bookbinding concepts (Language of Bindings Thesaurus) which can be used for classifying content. This PhD project will look at image recognition and the automatic extraction of bookbinding features from photographs of books.
The ideal candidate will have a computer science degree with relevant projects and a strong interest in cultural heritage or a relevant humanities degree with proven knowledge of machine learning and image analysis techniques.
For more information please contact Dr Athanasios Velios (firstname.lastname@example.org). Funding for this position may be available if applications are received by the deadline of the 30th of November.